Van Gogh 🎨👂

When Gido first played me the song, I knew it had to involve glitching and seamless cuts everywhere (or maybe that's just my obsession). Every transition had to feel like a continuous shot. No jarring breaks. Some 3-second cuts took 7 days to produce: water simulations, 3D tracking, rotoscoping, data moshing, glitching, Van Gogh-style filters and simulations, painting, green screen manipulation, and blending real footage. A friend told me it's a love song for glitching techniques. I was super obsessed with making every shot flow into the next. That... took time.